Essays by Professor Margaret Graves and Professor Cordula Grewe have been featured in the newly published Routledge volume, "Arabesque without End: Across Music and the Arts, from Faust to Shahrazad."
Dr. Graves's essay, "Spatchcocking the Arabesque: Big Books, Industrial Design, and the Captivation of Islamic Art and Architecture," and Dr. Grewe's essay, "The Lithographer’s Mark and the Magic of Synchrony," contribute to the volume's multiple perspectives on the arabesque in the arts.